The Witches Series
Across the turning of the seasons, the dance continues through a circle of movement, ritual, and renewal.
In The Witch’s Year series, four prints trace the rhythm of nature through the iconinc figures of three women.
From the firelit passion of Beltane Dancers to the radiant celebration of Summertime Dancers, to the haunting song of Samhain Singers around to the quiet reverence of Witches of Winter, the cycle unfolds as a visual hymn to the earth’s eternal pulse.
These works honour the ancient bond between humanity and the natural world and how we mark time not by clocks, but by our relationship with the natural world around us.
The witches are not symbols of otherness, but of belonging: they remind us that to live in rhythm with the seasons is to live in rhythm with ourselves.




Myths and Monsters
Tokyo’s Ruin - Emerging from the waves beneath a haloed sun, a great creature rises, a modern tale rendered through ancient technique and materials.
This print pays homage to the long lineage of printmaking, from the Sumerian cylinder seals to the woodblock masters of China and Japan. The artist channels the spirit of Hokusai and other early Japanese printers, embracing their balance of precision and expressive movement.
Printed on traditional washi paper, prized for its strength and delicate texture, the work unites tradition and spectacle.
The image of the mythical creature becomes both destroyer and deity, a symbol of humanity’s need to personify nature’s awesome power.
In this fusion of pop culture and classical craft, the artist reminds us that even the most contemporary icons can carry the weight of history.
Artemis - Under the moon’s watchful eye, the huntress moves through the forest, silent and focused.
Artemis embodies the divine balance between wild independence and calm civility.
The goddess of the moon and chastity stands as a symbol of strength untouched by possession, her arrow drawn toward purpose rather than conquest.
This print unites the artist’s love of Greek mythology with his fascination for modern frontier of space exploration. Inspired by both ancient stories and the Artemis II lunar mission, the work becomes a meditation on humanity’s enduring desire to reach beyond itself, whether through myth, art, or the stars.
The goddess here is not distant; she reflects our own striving spirit, luminous and unyielding.
Weeping Medusa - Often a misunderstood character in Greek Mythology, the artist has decided to portray the Monster Medusa as a more contemporary and cpmpassionate version of herself.
Rather than an evil monster so hideous her sight can turn a man to stone, she is portrayed as a young woman touched by sorrow.
One story behind her transformation from a priestess to a monster is that she was defending Athenas temple from Poseidon, who brutally attacked her. Athena saw this as a betrayal and turned her into the Gorgan Hollywood likes to villify.
There is so much symbology and iconography behind this wonderful and tragic character, I'd certainly recomend reading up on her.



Whatever our souls are made of…
Two prints, torn and reassembled, mirror one another. Fragments of a single anatomy reunited. One emerges from red, the other from black; together they form a dialogue between vitality and void, passion and introspection.
The shared spinal axis becomes a conduit of connection, binding two selves into one continuous form.
Inspired by Emily Brontë’s line, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same,” this work explores the inseparability of love and identity.
The imperfect tearing and recombination echo the human condition: incomplete alone, whole only in communion.
Each print retains its individuality, yet together they breathe as one; a visual anatomy of shared soul.
This is a one off limited print in two parts representing how two broken or incomplete souls, when combined can make a whole.
More to come
“Ink and Myth” reflects two years of artistic evolution, from May 2024, when he embarked upon his printmaking journey. This isn't a full or complete showing of the works, there will still be more to come over the coming months, older prints and new.

